Little Erected Ruin (detail), 2007
Acid free A4 115 gsm paper and glue
Acid free A4 115 gsm paper and glue
On The Other Side, 2006
Acid free A4 115 gsm paper and glue
Acid free A4 115 gsm paper and glue
Broken Flowers, 2007
37 x 48 x 7 cm.
Acid Free A4 115 gsm paper, glue, acrylic paint and oak frame
37 x 48 x 7 cm.
Acid Free A4 115 gsm paper, glue, acrylic paint and oak frame
The Core of Everything, 2006
47,5 x 37 x 7 cm
Acid free A4 80 gms paper, glue and oak frame
47,5 x 37 x 7 cm
Acid free A4 80 gms paper, glue and oak frame
Holding on to Myself, 2006
47,5 x 37 x 7 cm
Acid free A4 80 gms paper, glue, acrylic paint and oak frame
47,5 x 37 x 7 cm
Acid free A4 80 gms paper, glue, acrylic paint and oak frame
My paper works have been based around an exploration of the relationship between two and three dimensionality. I find this materialization of a flat piece of paper into a 3D form almost a magic process - or maybe one could call it obvious magic, because the process is obvious and the figures still stick to their origin, without the possibility of escaping........I find the A4 sheet of paper interesting to work with, because it is probably the most common and consumed media and format for carrying information today, and in that sense it is something very loaded. This means that we rarely notice the actual materiality of the A4 paper. By removing all the information and starting from scratch using the blank white 80gsm A4 paper as a base for my creations, I feel that I have found a material which we all are able to relate to, and at the same time is non-loaded and neutral and therefore easier to fill with different meanings. The thin white paper also gives the paper sculptures a fragility which underlines the tragic and romantic theme of the works. Copenhagen, Denmark [Peter Callesen]
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