alexa meade

Alexa Meade, Timmy, Acrylic on Flesh, 5 feet 9 inches, 2009

Alexa Meade, David, Acrylic on Flesh, 2010

Alexa Meade, Portrait of a Self-Portrait, Acrylic on flesh, 5 feet 9 inches, 145 pounds, 2009

Alexa Meade, Jaimie in Process, Acrylic on flesh, 2010

It's a LIVE PAINTING! 
This is so surreal.
The boundary between painting and the reality is magically blurred by Meade's brilliant live painting.
Meade is 23, based in Washington D.C.
I'd definitely like to see her works live.
The only thing about this painting is that you cannot purchase them or keep them other than in photographs.

from her web

Alexa Meade has innovated a Trompe-L’Oeil painting technique that can perceptually compress three-dimensional space into a two-dimensional plane. Her work is a fusion of installation, painting, performance, photography, and video art.

Rather than painting a representational picture on a flat canvas, Meade paints her representational image directly on top of her three-dimensional subjects. The subject and its representation become one and the same. Essentially, her art imitates life on top of life.

Meade’s approach to portraiture questions our understanding of the body and identity. Meade coats her models with a mask of paint, obscuring the body while intimately exposing it, creating an unflinchingly raw account of the person. The painted second skin perceptually dissolves the body into a 2D caricature. The subjects become art objects as they are transformed into re-interpretations of themselves. In turn, the models’ identities become altered by their new skin, embodying Meade’s dictated definition of their image to the viewer.

Meade’s project plays on the tensions between being and permanence. The physical painting exists only for mere hours and is obliterated when the model sheds its metaphorical skin. What endures is an artifact of the performance, a 2D photograph extracted from the 3D scene. The photographic presentations create a tension between the smoothness of the physical photographs and the tactility of the painted installations captured within them, blurring the lines between what is depicted and depiction itself.

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